Ensemble "Chorus" Sephardic Dance-Hora Hpnga.
народная музыка
Ensemble "Chorus" Sephardic Dance-Hora Hpnga.
kol oud tof trio
kol oud tof trio
Jewish Morrocan music from Tetuan - Tenger. played by the Kol Oud Tof trio: Esti Kenan - Vocal (kol). Armand Sabach - oud & Oren Fried on percussion
Si verias is a Sephardic Folk song.
Si verias is a Sephardic Folk song. A Sephardi is a Jew originating in the Iberian Peninsula (modern Portugal and Spain)
This song came from a performance of the Nashville Early Music Ensemble at the First Presbyterian Church in Columbia, TN on Sunday, February 10, 2008. The Concert was entitled She Loves Me, She Loves Me Not and was a Valentine's Day Tribute. The ensemble is designed to perform the vocal and instrumental music of the Medieval and Renaissance periods as well as traditional folk music from several world cultures. The twenty-member ensemble features musicians with diverse music backgrounds but all with experience in early music. The instruments featured in this concert were viols, violin, rebec, lute, ud, guitars, psaltery, harp, recorders, and a wide variety of percussion. The director is Dr. Gerald Moore, a retired music professor from Lipscomb University, who taught music theory and directed the Lipscomb Early Music Consort for over twenty-five years. For more information on the NEME, visit their website at http://nashvilleearlymusic.blogspot.com/
Janet & Jak ESİM - Por Amar Una Donzea
Janet & Jak ESİM - Por Amar Una Donzea
Por amar una donzea
De muy chica edad
Sufriendo siempre i siempre
En kavo i en kuantidad
Kuando mas yo la amava
Eya me aborresia
Kada vez ke eya me via
Ansi me dizia
Retirate mansevo
No piedras tu tiempo
Ni menos tu mansevez
Fatiga no te dez
BİR TAZEYİ SEVMEK İÇİN
Ta küçük yaştan beri
Acı çektim hep aman
En sonunda anladım
Aşksız geçmiyor zaman
Gördükçe sevdiğimi
Bana hep yüz çevirdi
Peşinden koştukça ben
Sevmiyorum ki, derdi
Geri dön delikanlı
Boşuna beni sevme
Esirge gençliğini
Bana sıkıntı verme
Türkçe uyarlama- Şükrü Caner
____________________________
Vokal- Janet Esim
Klasik Gitar- Jak Esim
Perdesiz Gitar- Erkan Oğur
Akustik Gitar- Bülent Ortaçgil
Vurmalılar- Murat Özbey ya da Birol Ağırbaş (bilmiyorum)
La Rosa Enflorece
La rosa enflorece (Los Bilbilicos) - Arturo Escorza
A beautiful jewish-spanish (sefardic) song: "Los Bilbilicos" (The nightingales).
Dedicated to all the wonderful Jewish People in the world.
«Se metieron al trabajo del camino; e salieron de las tierras de sus nascimientos, chicos e grandes e viejos e niños[...] E ivan por los caminos e canpos por donde ivan con mucho trabajo e fortuna, unos cayendo, otros levantando, unos muriendo, otros nasciendo, otros enfermando, que no avia cristiano que no oviese dolor dellos [...]e los rabíes los ivan esforçando e hazían cantar a las mugeres e mancebos e tañer panderos e adufes, por alegrar la gente.» Granada, 31 de marzo de 1492.
The mexican tenor Arturo Escorza
Traditional Jewish Sephardicsong sung in Ladino by Dragana Jevtovic with Matthew Reid clarinet, Vela Mrdjen cello and Reza Khota guitar. Music in the Gallery - Bellvile, Cape Town South Africa
The lyrics are:
La rosa enflorece en el mez de Mayo,
mi alma s'escurece, sufriendo del amor.
Los bilbilicos cantan sospiran del amor.
Y la pasion me mata, muchigua mi dolor.
Mas presto ven Palomba, mas presto ven a mi
mas presto tu mi alma, que yo me vo morir.
La rosa enflorece en el mez de Mayo,
mi alma s'escurece, sufriendo del amor.
MAYA Puncha Puncha Rosa Huela
MAYA Puncha Puncha Rosa Huela--Live!
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Bolgar Gypsy Horo
MAYA Bolgar Gypsy Horo--Live!
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MAYA, a New York trio--John Hadfield, percussion; Jacqueline Kerrod, harp; Sato Moughalian, flute, perform Puncha Puncha Rosa Huela, a traditional Sephardic melody--arranged by Erik Friedlander, live on November 29, 2007
Robert Canetti plays and conducts Sephardic Melody
P.Ben Haim - Three Songs Without Words, Sephardic Melody
Robert Canetti - soloist, conductor
THe Moscow Chamber Orchestra
Malui hall, Moscow Conservatory
Los Desterrados Sephardic Flamenco
Los Desterrados -- 'The Exiles' -- are a London sextet who have created their own radical, rousing and rootsy take on the ancient folk music of the Sephardic Jews.
As the Gypsy Kings reinvigorated flamenco and the Gotan Project
revitalised tango so Los Desterrados have brought vibrant new life to
Sephardic music. Fusing Spanish Flamenco and the fiery Gypsy melodies
of the Balkans and Greece, with the rhythms of Morocco and Turkey, Los
Desterrados have created a rootsy Mediterranean sound that is wholly
their own.
Featuring traditional instruments such as the cajón and
'oud with vocals in Ladino, the language of the Sephardic Jews, or
Hebrew, the unconventional arrangements and rousing rhythms Los Des
wield are heavily influenced by the music they've all grown up on as
native North Londoners - rock 'n' roll, jazz, folk, flamenco, funk and
soul.
Flamenco Sepharad
This unique combination of Sephardic song and flamenco rhythm makes for a fiery performance unlike any other. With new arrangements of traditional Sephardic repertoire and original compositions by Gerard Edery, the ensemble seamlessly fuses the world's most passionate music with the brilliant and sensual dancing of Barbara Martinez and Rick Santiago. Emotive vocals, flamenco guitars, world beat percussion and Spanish dance make this show a must see! This show was created by Gerard Edery and Vivienne Roumani-Denn. Choreography by Barbara Martinez and Ricky Santiago. The DVD was filmed and editted by Christian Pindar and his associate, Greg. For more information, contact Sefarad Records and Management at 212-924-3746.
"Dona" Yiddish Song Group - Sephardic Dance/Skotchna/Honga
Sephardic Dance - Skotchna - Honga
(Andy Statman - traditional - traditional)
Official site of ensemble:
http://www.dona-dona.ru/
Cuando el Rey Nimrod
El rey nimrod by Marie-Therese Escribano
Canción Sefardí
Canción Sefardí- "Cuando el Rey Nimrod".
RAICES: Cantos Tradicionales Judeo-Españoles
-Adaptación y arreglo: Antonio Lorenzo Vélez
-Mandolina: Rafael Martín
-Flauta: Enrique Almendros
-Bajo y clavecín: Carlos Montero
-Voz y guitarras: Antonio Lorenzo Vélez
-Voz y percusión: M. Luisa García Sánchez.
Madrid, 1986
Françoise Atlan
Cuando el Rey Nimrod
Cuando el Rey Nimrod al campo salía
miraba en el cielo y en la estrellería
vido una luz santa en la judería
que había de nacer Abraham Avinu.
Abraham Avinu, Padre querido
Padre bendijo a la luz de Israel.
Luego a las comadres encomendaba
que toda mujer que preñada quedara
si no pariera al punto, la matara
que había de nacer Abraham Avinu.
Abraham Avinu, Padre querido
Padre bendijo a la luz de Israel.
La mujer de Terach quedó preñada
y de día en día le preguntaba
¿De qué tenéis la cara demudada?
ella ya sabía bien qué tenía.
Abraham Avinu, padre querido
Padre bendijo a la luz de Israel.
En fin de nueve meses parir quería
iba caminando por campos y viñas,
a su marido tal ni le descubría
topó una meara, allí lo pariría
Abraham Avinu, Padre querido
Padre bendijo a la luz de Israel.
En aquella hora el nacido hablaba
"Andáos mi madre, de la meara
yo ya topo quién me alejara
mandará del cielo quien me acompañará
porque soy criado del Dios bendito."
Abraham Avinu, Padre querido
Padre bendijo a la luz de Israel
***
When King Nimrod walked through the fields
Looking into the skies, reading into the stars,
He saw the good star shining onto the Jews
They where to give birth to Abraham Avinu...
Abraham Avinu, beloved father,
Blesssed is thy name, light to Israel...
Terachs wife knew she was pregnant
day to day he would ask her
- Why do you have such a full blessed face
She was well aware the good she was given...
About this song
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